Goldfinger “Open Your Eyes” 2002 Review

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Graduating high school was a banner event for me, and that May before I was officially done, the band Goldfinger put out “Open Your Eyes”. This time around, the band would start the record with a fast paced and energetic performance, and ditched the horns altogether. The band stuck with the melody, but went hard into the skate punk type of sound. This is evidenced out the gate with “Going Home”, and carries through with “Spokesman”, “Open Your Eyes”, and others on the record.

For me, 2002 was a year where I traveled, I went to music festivals, I slept under the stars, I found myself lost in life’s next push, and the soundtrack really propelled me forward. “Spokesman” for instance really spoke to me, and it threw down a great anthem for all of us pseudo punk rock kids in the suburbs.

“Open Your Eyes” spins through 38 minutes of pop punk glory, and doesn’t let up, even when you think they are going to slow down. No, they aren’t speeding through the record, they just have a sensibility that makes this record one that you’ll no doubt want to revisit from time to time. While the band’s first half of the record is grand, it does start to diminish with joke tracks, and hidden tracks that just push you away from the upper half of the recording. That’s not to say that the record isn’t worth listening to, but rather it’s something that you’re going to probably dismiss. “Open Your Eyes” is a solid outing, and one of the better releases from Goldfinger’s catalog.

As someone who’s lived through the vibrant echoes of 2002, I can’t help but share a gem that’s been a cornerstone of my journey. Picture this: the thrill of graduation, the adventure of travel, music festivals under open skies, and the raw, unfiltered quest of finding oneself. Amidst all this was a soundtrack that didn’t just play in the background but fueled every moment with relentless energy and unapologetic spirit. That soundtrack was Goldfinger’s “Open Your Eyes.”

This album isn’t just a collection of tracks; it’s a rush of adrenaline, a burst of raw energy, and a true companion through the rollercoaster of life. From the get-go with “Going Home,” through the anthemic pulse of “Spokesman,” to every single track that makes this record a pop punk masterpiece, “Open Your Eyes” embodies the spirit of an era.

Don’t just listen—engage, reminisce, and let the world know how “Open Your Eyes” opened your eyes to the unforgettable journey of life.

Yellowcard “Ocean Avenue” (2003) Review

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Growing up in Southern California, I learned about a lot of bands before they hit the mainstream. One of the bands that I grew up listening to, and always found to be interesting is that of Yellowcard. The main reason is simple, and of the reasons why “Ocean Avenue” is such a hit. The punkers took the idea of pop punk then introduced violin. I kid you not. There’s a string section found with the band, and it made them stand out completely, to the point that they were signed by a major label and they put out none other than “Ocean Avenue”.

The band’s 13 tracks and 47 minutes of music feels comfortable, steady, and rocking throughout. You aren’t ever given a break from the lyrical elements that bring you from angst to love to struggles of a generalized manner, the lyrics are relatable and on point with the signature sound of Yellowcard. The band’s tracklisting flows really well, and the album feels like a “whole” release, rather than a collection of singles. That is evidenced through the first 5 tracks, which set you up for the latter half of the record, even when the band slows down a little on “Empty Apartment”, giving you a sensibility that is not often found on pop punk records. “Ocean Avenue” has so many catchy songs, uses the violin to a great advantage and unleashes a record that is very much west coast in nature, and full of life even after all of these years.

As we ride the waves of nostalgia and melody through Yellowcard’s iconic “Ocean Avenue,” it’s clear that this album isn’t just a collection of tracks—it’s a journey, a slice of the SoCal spirit, adorned with punk energy and an innovative twist of violin strings. But don’t just take my word for it, experience it for yourself.

Are you ready to revisit those sun-drenched streets and heartfelt lyrics? Whether you’re a long-time fan or a newcomer ready to dive into the vibrant world of pop-punk with a classical twist, “Ocean Avenue” awaits to fill your playlist with its timeless anthems.

Buy Yellowcard’s “Ocean Avenue” by clicking here!

Goldfinger “Hello Destiny” (2008) Review

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Side One Dummy was the record label that Goldfinger landed on when they would release their 2008 record. “Hello Destiny” was a well-received record from the band that brought together ska, punk, and melody in their catalog. Once again produced by John Feldman, the band put together a showcase of melody and frenetic energy, without dismissing their ska roots. This is evidenced by the jump between “One More Time” and “Get Up”. April 2008 would mark the release of “Hello Destiny” and the band’s production value didn’t change much between this record and the previous one. In fact, it was quite good, and really sounded like they knew what they were doing, even if they were on an independent record label without much radio play in 2008.

Six albums in, you know what to expect from Goldfinger, and while it may be predictable, it works on various levels. The band doesn’t pull punches here, they put their best foot forward, and you get tracks that speak from the heart, and talk about a variety of issues, while still maintaining that melodic sense you would expect from the band.

In 36 minutes, you get a sense of old and new, with the band really putting on a show. Every track has a sense of melody without sacrifice, and each one lets you inch a little more and more towards danceable, enjoyable, skate punk glory. Of course, they aren’t without a playful side as seen with “Handjobs for Jesus”, which features a couple of heavy hitters from Save Ferris and The Used. Overall, “Hello Destiny” is a solid jump from their previous recordings, and something you’ll no doubt want to listen to from time to time.

Goldfinger’s “Hello Destiny,” released in April 2008 under the banner of Side One Dummy, is the album you need to add to your collection, now!

Crafted by the ingenious hands of producer John Feldman, “Hello Destiny” serves as a testament to Goldfinger’s unwavering commitment to their roots, all the while propelling their sound to new, dizzying heights. The seamless transition between tracks like “One More Time” and “Get Up” isn’t just music; it’s a journey through a meticulously crafted soundscape that resonates with the band’s signature frenzy and harmonious mastery.

As their sixth studio album, “Hello Destiny” might echo the familiar tones that have long defined Goldfinger, but make no mistake – this record is anything but predictable. It’s a bold, unapologetic statement, an album where the band doesn’t just step up to the plate; they knock it out of the park with tracks that are as heartfelt as they are hard-hitting, addressing a mosaic of issues without ever losing that quintessential melodic charm.

Over the course of 36 minutes, Goldfinger not only pays homage to their enduring legacy but also introduces us to their evolution, serving up a blend of old and new that’s bound to have you on your feet. Each track is a gateway to a punk paradise, where every note is crafted for maximum impact, ensuring a listening experience that’s equal parts nostalgic and refreshing.

And let’s not forget the sprinkle of playful audacity in tracks like “Handjobs for Jesus,” featuring notable contributions from members of Save Ferris and The Used. It’s this fearless creativity that sets “Hello Destiny” apart, making it not just an album but a statement, one that you’ll find yourself returning to time and time again.

So, what are you waiting for? It’s time to let “Hello Destiny” be the soundtrack to your days and nights, a record that doesn’t just fill the silence but enriches every moment with its relentless energy, infectious melodies, and the unmistakable spirit of a band that knows no bounds. Grab your copy of Goldfinger’s “Hello Destiny” today and experience the sheer force of ska-punk mastery at its finest!

P.O.D. “Satellite” (2001) Review

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A Celestial Journey: The Enduring Impact of P.O.D.’s “Satellite”

In the vast expanse of the musical universe, a few albums shine with the intensity of a star, leaving an indelible mark on their listeners and the culture at large. P.O.D.’s “Satellite,” released in September 2001, is one such cosmic phenomenon. As we revisit this landmark album, we delve into its layers, understanding its impact, musicality, and the message that continues to resonate with fans worldwide.

The Resonance of Timing: A Prelude to Tragedy

“Satellite” was launched into the world on September 11, 2001, a day marked forever in history due to the tragic events in the United States. This coincidence lent the album an unintended gravitas and a prophetic edge, particularly with tracks like “Alive” and “Youth of the Nation,” which spoke to themes of survival, introspection, and the pain of sudden loss. The timing of its release amplified the band’s message of hope and resilience, resonating deeply with a world in mourning.

Harmonizing Aggression with Melody: The Sonic Landscape

P.O.D. (Payable on Death) carved a niche for themselves in the nu-metal scene with a sound that fused aggressive riffs and rhythms with an undeniable sense of melody. “Satellite” represents the pinnacle of this fusion. Songs like “Boom” and the titular “Satellite” showcase the band’s ability to balance raw energy with catchy hooks, creating anthems that are both invigorating and memorable.

The album’s production quality, helmed by the acclaimed Howard Benson, further elevates its sound. Each track is polished without losing the band’s inherent grittiness, allowing for a listening experience that’s both refined and visceral.

A Reflection of Diverse Influences

Beyond the compelling soundscapes, “Satellite” is a treasure trove of lyrical depth. The band’s Christian beliefs subtly permeate the tracks, offering a perspective of faith and positivity rarely seen in the genre. Songs like “Alive” and “Youth of the Nation” are not mere compositions but narratives that encapsulate the human experience with empathy and insight.

P.O.D.’s ability to blend their spirituality with universal themes of struggle, hope, and unity is a testament to their artistry. They invite listeners from all walks of life to find solace and strength in their music, creating a community that transcends the typical boundaries of rock.

A Legacy That Endures: The Album’s Continuing Impact

Nearly two decades after its release, “Satellite” continues to orbit the hearts of fans both old and new. Its appeal lies not just in its sonic innovation but in its sincere portrayal of life’s complexities. In an era where music often feels transient and disposable, “Satellite” stands as a testament to the enduring power of art that’s crafted with authenticity and courage.

As we look back at P.O.D.’s masterpiece, it’s clear that “Satellite” was not just a product of its time but a beacon of timeless relevance. It’s an album that challenged the norms, broke barriers, and offered a message of hope—a message that continues to echo through the ages.

“Satellite” isn’t just an album; it’s a journey—a celestial journey that continues to guide and inspire. Its timeless relevance and profound impact make it a must-have in any music enthusiast’s collection. If you haven’t already, I urge you to experience this masterpiece for yourself. Purchase your copy of P.O.D.’s “Satellite” today and embark on a sonic adventure that promises not just to entertain, but to resonate with the deepest parts of your spirit. Let this album be your guiding star in the vast cosmos of music, leading you towards a greater understanding, empathy, and, ultimately, healing.

Nofx “Ribbed” (1991) Review

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“Ribbed” is the third record from the punk rock band Nofx, and it stands taller than their previous studio record. While the previous two records were experimenting with different sounds, including hardcore punk, and slower influences at times, “Ribbed” would come out and knock them down a bit. So much so, that this feels far more like a modern day Nofx record than the other ones did.

The band really gets more modern, especially with “Food, Sex & Ewe”, which smells of ska and rude boy classics than a punk rock classic. That’s not to say its bad, it’s just an interesting take considering their two previous records didn’t really have the same style. The upward strokes of the guitar, and clever lyrics make for an interesting song, even if it is only track 4 on the record.

The biggest departure on the record is “Together On The Sand”, and once you hear it, you’ll know exactly why. It’s soft, it’s melodic, it’s a lounge act. The band returns to form in the rest of the record, and with 14 tracks of music really make a play for the better, punk rock glory and all that cliché jazz. It’s a record that stands out in the discography of the band, and really shows them in fine form.

Favorite tracks: “Green Corn”, “The Moron Brothers”, “Just The Flu”

If you’re a fan of the dynamic rhythms and sharp lyrics that characterize the punk rock genre, then you absolutely must add NOFX’s seminal album, “Ribbed,” to your collection. Esteemed as the band’s third record, “Ribbed” is a monumental release that not only surpasses its predecessors but also captures the essence of NOFX’s innovative spirit.

Diverging from their earlier works, “Ribbed” showcases the band’s evolution, experimenting with an intriguing blend of hardcore punk and more nuanced sounds. Notably, the track “Food, Sex & Ewe” exudes a unique ska-infused vibe, setting it apart from the typical punk rock anthem. Meanwhile, the song “Together On The Sand” will leave you in awe with its gentle, melodic tones, a surprising yet delightful departure from the band’s usual high-octane style.

With 14 compelling tracks, including fan favorites like “Green Corn,” “The Moron Brothers,” and “Just The Flu,” “Ribbed” is an album that not only stands out in NOFX’s discography but also marks a significant moment in punk rock history.

Experience the raw energy and masterful craftsmanship of “Ribbed” on vinyl, the way it was meant to be heard. The tactile feel of the record, the rich sound quality, and the sheer nostalgia of dropping the needle on the groove make this a must-have for both die-hard fans and newcomers to the punk rock scene.

Don’t miss out on the chance to own a piece of punk rock history. Click on the link below to purchase your copy of NOFX’s “Ribbed” on vinyl from Amazon today, and prepare to be transported back to an era of musical rebellion and innovation. Rock on!

Buy NOFX’s “Ribbed” on Vinyl – Amazon

Mxpx “Pokinatcha” (1994) Review

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In 1994 a lot of punk started to get attention. This included bands that have become staples in alternative rock, like Greenday. Mxpx also released a record all the way back in 1994, and it was their studio debut for Tooth and Nail Records. The record was named “Pokinatcha”, and it was the first record for a band that would become heavy hitters, even if they did not reach the same platform as some other punkers that came out the same year.

It’s interesting to note that the band’s record introduces you to their style, with a strong blown out distortion on the guitar. This would get cleaned up in the second record, but for this record it was raw and full of life. The frenetic pace of the band was upheld here, and while there were some melodies, “Pokinatcha” is a faster paced record than their other releases. The band put together a mix of hardcore, pop punk, and pure melody within 49 minutes of music. They would release a video for the album, “Want Ad”, before they would release a second album in 1995.

There’s a lot of tracks on this record, and it truly was something that Christian music fans jumped on, as the band would be labeled as such for their first few records. They stepped away from that with the releases that they had down the line, but the starting line for Mxpx was “Pokinatcha” and it was a Christian music release. They were doing what other bands under the banner of Christian music weren’t doing at the time, and that’s staying within the lanes of pop and punk and Christendom as well.

“Pokinatcha” is a stellar debut record with a lot to offer newcomers. It has catch melodies, strong three chord structure, and a lot more. There’s something for everyone on this record, that’s for sure.

Have you grabbed your piece of punk history yet? If not, it’s high time you dive into the raw, energetic realms of “Pokinatcha” by Mxpx. This isn’t just an album; it’s a milestone from 1994 that marked the beginning of an era, where bands like Mxpx carved their niche in the punk rock scene alongside giants like Greenday.

“Pokinatcha” isn’t just a record; it’s an experience. It’s where Mxpx introduced us to their signature style—unrefined, bursting with blown-out distortion, and so alive it practically pulses through your speakers. Sure, they polished their sound in later albums, but this debut is where the magic started. It’s raw, it’s real, and it’s relentless. Over 49 minutes, the band weaves through hardcore, pop punk, and melodies that stick. And let’s not forget “Want Ad,” the video that not only complemented the album but set the stage for their next big steps.

But this album isn’t just about the sound; it’s about the statement. “Pokinatcha” became a beacon for Christian music fans, offering something distinct and bold. Mxpx dared to blend pop, punk, and Christian themes in a way that was unheard of at the time. This record is more than just tracks laid down—it’s a legacy.

So, why should you get “Pokinatcha” now? Because it’s not just another punk album. It’s a piece of history, a testament to a band that dared to be different and set the tone for their journey. Whether you’re a long-time fan or a newcomer ready to explore the depths of punk rock, “Pokinatcha” has something for you. Catchy melodies, solid three-chord structures, and an energy that’s undeniably infectious. Don’t just listen to the music—experience the beginning of Mxpx’s journey. Grab your copy of “Pokinatcha” today and own a piece of punk rock heritage!

The Chariot “Wars and Rumors of War” (2009) Review

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A Wild Ride with The Chariot: Unleashing “Wars and Rumors of Wars”

When The Chariot released “Wars and Rumors of Wars” in 2009, they weren’t just dropping an album; they were unleashing a beast. This record is a relentless barrage of sound, a testament to the band’s raw energy and unfiltered approach to music. It’s not just an album; it’s an experience.

Melodic Mayhem: Navigating the Sonic Labyrinth

From the first screech of feedback to the last cymbal crash, “Wars and Rumors of Wars” is an auditory odyssey. The Chariot has a reputation for crafting chaotic soundscapes, and this album is no exception. Tracks like “Teach:” and “Evolve:” are prime examples of how the band melds crushing riffs with unpredictable rhythms, creating a sound that’s as disorienting as it is addictive. The band’s ability to transition from frenetic mayhem to hauntingly melodic moments showcases not just versatility, but a deep understanding of how to keep listeners on their toes.

Raw and Unrefined: The Production Speak Volumes

In an era where polished production is the norm, The Chariot takes a different route. The rawness of “Wars and Rumors of Wars” is palpable. Every guitar riff, drum beat, and scream feels urgent, as if recorded in a single take during a live performance. This unrefined production style isn’t just a choice; it’s a statement—a declaration that The Chariot is here to deliver music in its most honest form.

Pen and Paper Warfare: Lyrical Depth Amidst the Chaos

Amidst the sonic assault, it’s easy to overlook the depth of the lyrics in “Wars and Rumors of Wars.” The Chariot weaves complex narratives, exploring themes of conflict, spirituality, and personal struggle. The intensity of the music is matched by the weight of the words, making each track not just a song, but a story waiting to be unraveled.

Defying Genres: The Chariot’s Musical Alchemy

To pin “Wars and Rumors of Wars” to a single genre would be a disservice to The Chariot’s creativity. The album is a melting pot of hardcore, metal, and a dash of experimental noise. It’s this refusal to conform that sets The Chariot apart and cements “Wars and Rumors of Wars” as a standout record in the heavy music scene.

A Sonic Journey of Passion and Power: Why “Wars and Rumors of Wars” Stands Out

In the sea of heavy music, “Wars and Rumors of Wars” by The Chariot emerges as a beacon of raw, unadulterated passion. This album doesn’t just play; it assaults your senses, demanding attention and respect. It’s a testament to the band’s commitment to their craft and their fearless approach to music-making.

A Rollercoaster of Emotions: The Chariot’s Musical Narrative

While many albums are content with a flat line of intensity, The Chariot ensures that “Wars and Rumors of Wars” is a rollercoaster. It’s not just about the loudness or the speed; it’s about the emotion behind every note. The band channels their energy into a visceral listening experience, making each track not just a song but a journey through a spectrum of human emotions.

The Chariot’s Signature: Uncompromising, Unapologetic

The Chariot has never been about conforming. With “Wars and Rumors of Wars,” they solidify their stance as pioneers in the heavy music realm. This album is a declaration of independence from mainstream norms, a showcase of what music can be when artists stay true to their vision, no matter how unconventional it may be.

Echoes of the Album: The Chariot’s Impact on the Scene

Since its release, “Wars and Rumors of Wars” has not just resonated with fans; it has reverberated through the entire heavy music community. The Chariot’s refusal to stick to the script has inspired countless other artists to push boundaries and explore new territories, making this album not just a collection of tracks, but a catalyst for creativity.

Join the Chariot Brigade: Don’t Miss Out on “Wars and Rumors of Wars”

If you’re a fan of music that’s as honest as it is heavy, it’s time to dive into “Wars and Rumors of Wars” by The Chariot. This isn’t just an album; it’s a statement, a rebellion, a revolution. Grab your copy today and experience the raw, unfiltered essence of what makes The Chariot a beacon in the world of heavy music. Don’t just listen to music—feel it, live it, be part of it with “Wars and Rumors of Wars.”

Bad Religion “Against The Grain” (1990) Review

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When Punk Rock Made a Sharp Turn

Picture this: It’s 1990, and the airwaves are dominated by the synth-heavy sounds of pop and the remnants of hair metal. Then, amidst the cacophony, Bad Religion releases “Against the Grain”, a record that not only challenges the status quo but reshapes the punk rock landscape forever. With 17 tracks that deliver a swift punch to the auditory senses, the album is more than just music; it’s a manifesto for a disillusioned generation.

Hitting the High Notes: A Track-by-Track Analysis

The Rallying Cry of “Modern Man”

As the opening track, “Modern Man” sets the tone for the album, offering a blistering critique of contemporary society. The rapid-fire lyrics, combined with the band’s trademark harmonies, create a sense of urgency that’s impossible to ignore.

The Poignant Lullaby of “Anesthesia”

In contrast to the album’s predominantly high-octane vibe, “Anesthesia” offers a moment of introspection. The track’s haunting melody and contemplative lyrics showcase Bad Religion’s versatility and depth, proving that punk rock can be as emotionally resonant as it is politically charged.

The Satirical Edge of “Flat Earth Society”

“Flat Earth Society” is a scathing satire, targeting willful ignorance and the rejection of science. The song’s driving rhythm and incisive lyrics serve as a reminder of punk’s power to challenge and provoke.

The Anthemic Pulse of “Faith Alone”

“Faith Alone” stands out as a hymn for the skeptical, questioning the role of religion in a world plagued by uncertainty. The song’s anthemic quality turns introspection into a communal experience, inviting listeners to ponder their beliefs alongside the band.

The Title Track: A Declaration of Defiance

“Against The Grain”, the album’s namesake, is a declaration of defiance against societal norms. It encapsulates the essence of the record – a call to question, to resist, and to redefine what it means to be a part of the modern world.

The Futuristic Dystopia of “21st Century (Digital Boy)”

Before the digital age took full swing, “21st Century (Digital Boy)” predicted the alienation and discontent of a society obsessed with technology. The track’s infectious melody belies its somber message, creating a juxtaposition that’s both thought-provoking and eerily prescient.

The Haunting Farewell of “Walk Away”

Closing the album, “Walk Away” offers a haunting, introspective look at the consequences of our choices. It’s a fitting end to a record that’s unafraid to confront the uncomfortable truths of the human condition.

The Timeless Echo of “Against the Grain”

Even three decades later, “Against the Grain” resonates with an uncanny relevance. It’s a testament to Bad Religion’s foresight and their understanding of the human spirit. The album flows seamlessly, a cohesive narrative that’s as compelling today as it was in 1990. It’s more than just a collection of songs; it’s a journey through the highs and lows of the human experience, a mirror reflecting our collective triumphs and tribulations.

A Clarion Call to Punk Aficionados and Newcomers Alike

Whether you’re a long-time fan or a curious newcomer, “Against the Grain” is an essential addition to your music collection. Each track offers a unique insight into the band’s ethos, creating a mosaic of sound and sentiment that’s both timeless and profoundly relevant. So, take a trip down the rabbit hole of punk rock history, and purchase your copy of “Against the Grain“. Rediscover the raw energy, the incisive lyrics, and the undeniable spirit of Bad Religion – a band that continues to inspire, challenge, and captivate listeners around the world.

Mxpx “Slowly Going The Way of the Buffalo” (1998) Review

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The boys in Mxpx signed a major label record contract while still under the Tooth and Nail Records banner. The two record labels would push out the next record, and the band continued to put together punk rock songs that remained positive, without going too far away from their roots. That being said, “Slowly Going The Way of the Buffalo” hits differently than the other records by the band. Up to this point in their career, the band had a polished sound with their “Life In General” fame, but would shift gears a little on this record.

“Slowly Going The Way of the Buffalo” has less polish than their other records, therefore you hear a lot more tone, without compromise. You don’t really get that over polished bass and guitar tone, instead, it’s left with a little more treble if you will. That makes for a clearer bass sound at times, and a distorted guitar that works well to compliment it. Drums of course are pronounced, and good overall on this record, but you’re going to find that the fidelity is different.

According to their official Wiki page, Mike Herrera went on record to say that the album wasn’t produced in a lab, when talking about the production value of the end result from the band. Released in 1998, the band had been pushed heavily with tours, including slots paired with Blink-182 and Bad Religion, to name a few. Overall, there’s a lot of good songs on “Slowly Going The Way of the Buffalo”, and it stays steady with Mike Herrera on vocals. It’s got a mix of melody, punk, and down right solid song writing that will have you coming back to it for years and years.

If you’re a fan of raw, authentic punk rock, then MxPx’s album “Slowly Going The Way of the Buffalo” is a must-have for your collection. As I’ve outlined in my review, this record stands out for its unpolished charm and the band’s commitment to preserving their distinct sound. The gritty guitar tones, clear bass lines, and pronounced drumming culminate in a masterpiece that’s both refreshing and nostalgically familiar.

From the compelling vocals of Mike Herrera to the energetic melodies that have fueled the band’s tours alongside giants like Blink-182 and Bad Religion, this album encapsulates the essence of a band that has matured without losing touch with its roots. It’s not just another record; it’s a testament to MxPx’s journey and evolution in the punk rock scene.

So, if you’re ready to experience the raw energy and heartfelt songwriting that “Slowly Going The Way of the Buffalo” has to offer, don’t hesitate. Head over to amazon.com now and add this pivotal album to your collection. Not only will you be enriching your playlist with quality punk rock, but you’ll also be supporting the enduring legacy of a band that continues to inspire and excite with every chord and lyric. Click this link, and take a step back into a sound that has shaped an era. Don’t miss out on owning a piece of punk rock history

Nofx “Punk in Drublic” (1994) Review

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By record number five, the band Nofx was finally getting a lot of popularity. It was released in 1994 and it is on a lot of top 10 lists. They would branch out some and create a more skate punk sound, but that wasn’t much different than the approach to their fourth record, so it’s not like they are leaving the sound behind that got them to the big dance of sorts. Ok, so they weren’t quite as big in 1994, but still, the record would eventually go Gold, so it sold decently after a lot of touring and work from the band, which makes “Punk in Drublic” one record from the band you must have in your collection, especially with the title track “Linoleum” which is an anthem, a strategically placed beginning track that rocks in any genre that you put it in.

Of course one song is not going to make an album glorious, which is why “Punk in Drublic” comes with 17 tracks and nearly 40 minutes of music. “Leave it Alone”, would come second on the tracklist and once again would show the prowess of the bands melodic side. They are able to put together punk rock songs that feature melody, hardcore measures, and sing-a-long vocals at times. It’s a nice full fledged romp into the pop punk world, while maintaining their street attitude.

Fat Mike’s vocals are clearer on this record, with a mix of guitars and bass that are well polished and would become a signature for the band. There’s a mix of punk and even a little ska with El Hefe playing trumpet, but mostly it is a well thought out punk rock record that shows off the prowess of a band that knows what they are doing, or at least knows how to fake it very well. What a record.

Favorite tracks: “Linoleum”, “Don’t Call Me White”, “The Cause”, “The Brews”

If your collection is screaming for an addition that screams authenticity, rebellion, and raw musical genius, look no further than “Punk in Drublic” by Nofx. This isn’t just any record—it’s a journey through the evolution of punk, a testament to a band that refined the skate punk sound while staying true to its roots. Released in 1994 and proudly standing on numerous top 10 lists, this album marked the tipping point of Nofx’s burgeoning popularity.

Why own this piece of punk rock history? “Punk in Drublic” isn’t just an album; it’s an emblem of dedication and the relentless spirit of a band that toured relentlessly to share their sound, a sound so compelling that the record eventually went Gold. The opening track, “Linoleum,” is not just a song; it’s an anthem transcending genres and setting the stage for what’s to come.

But “Punk in Drublic” doesn’t stop there. With 17 tracks and nearly 40 minutes of music, it’s a full-fledged plunge into the punk universe. Songs like “Leave it Alone” showcase the band’s unique ability to blend melody with hardcore punk elements, all while keeping you chanting along with every lyric.

The clarity of Fat Mike’s vocals, combined with a polished mix of guitars and bass, not to mention El Hefe’s touch of ska with his trumpet, make this album a masterpiece of its genre. And with standout tracks like “Linoleum,” “Don’t Call Me White,” “The Cause,” and “The Brews,” you’re not just getting an album—you’re getting the cream of the punk crop.

So, why wait? Head over to amazon.com now and secure your copy of “Punk in Drublic” on vinyl. Let the grooves of this quintessential record fill your space with the undying spirit of punk rock. Add it to your collection, spin it, and let every track remind you why this band, this record, and this sound are revered by punk enthusiasts around the globe. Buy it, own it, and most importantly, rock it. Because true punk never dies, it just gets pressed into vinyl.